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“They Are Poor But Happy…” The Politics of Kathmandu Art
The portraiture and landscapes in Kathmandu galleries reflect an idealised Nepal that does not exist. Art must evolve to speak for all Nepalis and not just for its elite urban patrons.
What does it mean when a community's artwork fails to represent the concerns of the community? The offerings in Kathmandu's museums and galleries, and the traditionally made art in the stores, depict only serenity, beauty and harmony. But a day in Kathmandu will contradict the guide-book description of Nepal and Nepalis as peaceful and peace-loving. In whose interest is it to have institutions display nostalgic, even dishonest, art?