Archive for the ‘Culture’ Category

Music sans frontiers

Friday, August 20th, 2010

By Surabhi Pudasaini

The idea of organic conversations and collaborations across Southasian borders is a warm and fuzzy one. The reality, however, is far colder, with such exchanges uncommon. There is, of course, immense scope for joint efforts, especially in fields with shared or overlapping historical trends. Music is one area that comes under this category. And it is with this in mind that a duo calling itself Serendipity is travelling the region exploring the different musical forms, whether traditional or contemporary. Faria Chaudhuri, from Bangladesh, and Emad Rahman, from Pakistan, of the band are currently in Kathmandu, working with a host of local Nepali musicians. Performing in a variety of locations in the city, the group’s current repertoire consists of traditional Sufi poems, Bangla songs, Urdu songs translated into Nepali and numbers by popular bands such as Junoon. The arrangements for the songs are, however, put together by the group itself,  using elements of rock and eastern classical music, among other genres, to grab audiences. The Serendipity duo hope to travel to other parts of the Subcontinent after Kathmandu, eventually releasing an album featuring their collaborations.

Audio and video coming soon!

Hamara Osama

Thursday, July 22nd, 2010

A fake bin Laden provides some laughs along with a sharp comment on the “war on terror”, the media, and US policy on Afghanistan.

By Laxmi Murthy

A spoof about the US ‘war on terror’, the Pakistani desperation to emigrate and a satirical take on the media’s obsession with ‘Breaking News’ could go badly wrong in hands that excel in slapstick or melodrama. But right from the disclaimer about resemblance to any person living or dead being purely ‘coincidental’, director Abhishek Sharma pulls it off, tongue firmly in cheek. The pun in the title which could be read as ‘Without you, Laden’, or ‘Your bin Laden’. Onward, smart acting and witty dialogues effortlessly steer the film through potential minefields, quite literally.

In his Bollywood debut, Ali Zafar, Pakistani pop star-turned actor, plays the charming Ali Hassan, a reporter with a seedy channel appropriately named Dunka TV with a blundering dictatorial boss brilliantly played by Piyush Mishra. Hassan, desperate to climb out of his rut, devises a scheme involving a fake Osama bin Laden to earn enough money to buy his way into America on a fake passport. He’s already been deported once from the US, after a paranoid flight attendant gets him into the clutches of Homeland Security, where, please note, his mugshot is taken as ‘Southasian’ rather than any specific country.

It is the little asides, providing a telescopic view of life and dreams in Southasia, that are insightful and poignant. At the fake-passport and visa agency, Lashkar-e-Amrika (Invading America since 2002 as the board proudly proclaims), the sleazy owner calls theatrically for the ‘Late file’, stuffed with the photos and personal details of the deceased who will now be resurrected in fake passports. ‘Better late than never,’ he smirks. His perky assistant Zoya, yearning to own her own beauty parlour, marks time with dexterous use of Photoshop to touch up photos of potential immigrants to match those in the ‘Late File’. The eagerness of the safari-suited Intelligence guys whipping out their little digital cameras as soon as they come upon bin Laden, is likewise another perceptive comment on the Southasian penchant to be photographed with celebrities.

The real star of course is the bespectacled Noora, the Osama bin Laden look-alike brilliantly played by Pradhuman Singh. A poultry farmer with a passion for chickens and their crowing (his prize rooster Sikandar is the winner of the local ‘Muqabla-e-Baang’), the Punjabi-spouting bin Laden is a riot through and through. Although he is too busy peering down Zoya’s blouse while she’s applying make-up to impersonate the most-wanted man on earth, at times of stress, Noora’s earthy Punjabi surfaces. Hassan’s prank, in which he is assisted by a set of loyal but bumbling friends, soon spins out of control, which even the America-hating Communist radio jockey Qureshi does not predict. It is only Hassan’s lovable character that allows you to ignore the unscrupulous methods employed to create a scoop when he cannot get one.

What could have been the weakest link in the plot – the alacrity and blind faith with which Live India, an Indian Channel, buys the fake tape, and News America broadcasts it after ‘experts’ declare it to be authentic, turns out to be a stark comment on the irresponsible news media in the Subcontinent. Far from questioning the authenticity of the tape or the subsequent attacks on Afghanistan (’Operation Kickass’), TV anchors solemnly report on the number of donkeys ‘martyred’ during the Operation, and talk-show hosts remark on bin Laden’s ‘healthy’ visage, speculating that he must have good access to medical care. Unfortunately, sloppy and unethical journalism is no Bollywood hyperbole.

It was not long ago, after serial blasts in Ahmedabad, Surat and Bangalore in mid-2008 that one ‘Tauqeer’ or Abdus Subhan Qureishi was identified as the ‘mastermind’ of the blasts. Reputed dailies across the country soon carried profiles of ‘India’s Osama Bin Laden’, detailing his alleged involvement in high-profile attacks in various cities. When, a few months later Rakesh Maria, Mumbai’s joint police commissioner (crime) called Tauqeer a ‘media creation’, the media was uncharacteristically silent, sheepish about having lapped up police handouts, and fabricating a ‘terrorist’ to suit their convenience. (See Jyoti Punwani’s excellent expose ‘Creating Tauqeer‘.

The corny platitudinous climax can be forgiven… every filmmaker gets to have a cop out, if it is reasonably comic, and this one certainly fits the bill. ‘Mood bana dey, yaar,’ pleads Hassan, and Noora obliges, turning out a Bin Laden performance par excellence, complete with Arabic intonation. Catchy music, many of the numbers sung by Ali Zafar himself, complement the light-hearted breezy pace.

That the film grossed around INR 50 million in the first week of its release in India, and USD 150,000 from Britain, Australia and the UAE, goes to show that well-made comedy need not bomb at the box office even it does not have the staple item numbers, song and dance sequences or token romance. The US release has been deferred in order to monitor audience reaction in other countries, according to the producers, even though the name of the film has already been shortened to ‘Tere Bin’ to pass it off as an innocuous love story. Of course, the cardboard cut out, moronic American caricatures shouldn’t be a reason to ban the film in the US. The name-change ploy hasn’t worked in Pakistan, where the film is banned, but pirated DVDs are doubtless flying off the shelves, providing a laugh a minute in drawing rooms across the country.

Tere Bin Laden
Dir:
Abhishek Sharma
Producer:
Aarti Shetty and Pooja Shetty Deora
Walkwater Media, July 2010

I eat god, I drink god, I sleep on god…

Friday, January 22nd, 2010

–Guest Blogger Sushma Joshi

I eat god,
I drink god,
I sleep on god…

It is the first day of the Jaipur Literature Festival and Girish Karnad, who is supposed to give the keynote lecture, along with heavyweights like Wole Soyinka and Henry Louis Gates, Jr., are missing in action. They are possibly lost in the Delhi fog, or the traffic, or maybe they didn’t even depart their home cities and countries in the first place. The roads, you know, says one of the organizers. Apparently this is a good enough explanation and the crowd asks no questions and asks for no explanations—we start off the day with a remarkably serene and unhurried shift to readings of Kabir instead. The day is beautiful, the sky is blue, there are long runners in pink, yellow and orange fabrics above our head and two dhol-players are causing a tremendous ruckus and making us all feel invigorated. Arvind Krishna Mehrotra is on stage and goes from Kabir to Arun Kolatkar with effortless ease. And that is why, instead of a lecture on “Entertaining India”, we are listening to a lovely poem that eats god and sleeps on god and talks about how the poet hopes his mother-in-law (plus all his other in-laws) would drop dead so he could be alone with his lover.

So starts the day. I have never heard of Arun Kolatkar but I am ready, at the end of the reading, to run out and buy his book. The bookstore is full of books by the authors who are present at the event, but first a writer should look around and check out the people who are present—a colorful assortment of women and men dressed in drop-dead gorgeous Indian fabrics, and where the Westerners look rather plain and pale unless they invested in some Indian fabrics and trinkets. No doubt the place is teeming with literary celebs—the problem with spotting them is that everyone looks the part, right down to little girls who carry their books around like devoted readers and writers. I spot is a group of local Jaipurians who are looking at the schedule with deep concentration. I savor this scene for a while—locals immersed deeply in their own literary event.

Then a minute later I realize why people are concentrating so hard on the schedule—basically, half the speakers are absent, there has been a drastic change of plans and nothing is going according to schedule. The people who have arrived early are asked to be on panels, and before long I find myself listening to Vikram Chandra (scheduled to present on the last day) talking about his latest book about the underworld, as well as the banality of evil. He talks about criminals and murderers that he met. The most horrific thing that he came to learn, he said, was that most people who did these terrible things were ordinary people like you and me. They were not monsters. They were religious, god fearing men who kept shrines at the back of their homes, and yet they were able to commit horrific acts that the ones that occurred during Partition. “The frightening thing is to realize that the people who are murderers and criminals are not so different from us,” he said.  “There’s two degree of separation between criminals and people in the audience.” I had met Vickram Chandra when he was teaching at the Breadloaf Conference in 2002. I noticed that eight years in the United States seem to have trained him to become more charitable to the world than condition of the rest of the world allowed for.

Claire Tomalin (scheduled to speak on Saturday) gave her talk on Jane Austen promptly and with joy. There is nothing more delightful than a Jane Austen scholar who loves the writer and treats her with the greatest respect. Claire talked about the conditions of Austen’s life—her poverty, her lack of money, her lack of publishing success, her ten years of depression and being unable to write—all of which added up to a literary phenomenon. Austen talked about taboo topics that other writers didn’t touch, she said. Tomalin gave her talk with humor and intelligence, and the audience responded in kind. Jane Austen appeared to be required reading for women in India, from the questions—half of the questioners also insisted that Claire MUST see “Bride and Prejudice”, which was the final word on the book. Claire insisted, politely but firmly, that she did not see these adaptations. ““Bride and Prejudice” made me realize a lot of things I hadn’t learnt from the book,” gushed one reader enthusiastically. I belched. One reader, however, did add an interesting tidbid—Austen’s horrid Mrs.Norris had been reincarnated as a cat in Harry Potter.

Then we went on to see Geoff Dyer and Amit Chowdari, moderated by Amitav Kumar, talk about “Visible Cities”. Geoff talked about his latest book on Venice and Benaras, and read a short chapter about a monkey who steals a man’s sunglasses in Varanashi and holds it hostage, while the man tries to get it back from him by bribing him with bananas. All would have been well and good and we’d have thought it was just a good piece of comedy if he’d not read about how the monkey could “evolve” (be careful with that word, writers!) as a species if he gave back the sunglasses, and if he didn’t, he’d always be a monkey. Then he talked about “history”, just a line or two but enough for an audience member to wonder if he didn’t know, as a smart man of the twenty-first century, how colonial culture categorized Third World peoples as “monkeys”…Hmmm… this bit of monkeying around was possibly smart of him, or maybe it wasn’t. Not in a tent full of people who are too aware of post-colonial criticism. Amit Chowdari read about Calcutta—a beautiful and evocative piece. Then he referred to Susan Sontag’s “Under the Sign of Saturn,” and how Walter Benjamin had talked about how he was a man born under this sign, therefore he never finished any of his projects, and this was the line she’s picked up and written her essay on. A literary throwaway aside, kind of like strolling through the streets of an old city as a flaneur.

The afternoon ended in the front lawn with the delightful Mr. Alexander Mc.Call Smith talking about his “#1 Detective Agency” and how he came up with this idea. He and William Dalrymple, who was interviewing him, had a good laugh at the expense of the Scots, who apparently indignantly protested the ten thousand pounds allocated by the Scottish government for the festival—the money, suggested the critics, could have been better spent on fighting illiteracy in Scotland. “There are actually Scottish secret agents out there in the audience, dressed in kilts, trying to keep track of this money. They think we don’t see them, but we do,” chucked the writer, as he burst out in a fit of laughter.

Sushma Joshi blogs at www.sushma.blogspot.com and www.sushmasfiction.blogspot.com

Secret Mile High Meeting between Dada and Krishna

Tuesday, January 19th, 2010

It has been leaked to the general public that a senior level member of the Nepali Dada Party had a secret meeting with Arjun Dada’s driver in the bathroom of a 737. The Nepali Dada Party agrees and accepts that this secret meeting happened. It also acknowledges that a separate account of a senior Nepali Dada Party reaching the Mile High Society is absolutely true.

The Party in all its posturing and sukulgunda ways, would like to clarify what was discussed between the driver and the shooter on that fateful plane ride in that fateful compartment.The driver has taken on a classical role of connecting the hardguns of the Nepali Dada Party with its softguns in a very logical manner. It has done so by developing the first draft of the Nepali Dada Party’s very own ethical code of conduct. Popularly within the party, it is called “E!-Dada’s-thic”

The primary components of this new moral understanding include:

“Its cool to kill your cousins, they are evil.”

“You never liked your teacher anyways!”

“Hey, did I show you how cool I was? Now, do as I say”

“The Nepali Dada Party and apparently America have God on their side”

“If you can’t out box the fox, wack the fox in the box”

“Its more fun in bed when its 5 to 1″

“Your wife is worth 2 and a half goats (partly because of the above).”

For the millions and millions of the Dada Party Followers, I would like to assure you that a more detailed standard, that can be applied to all party members and can also then be imposed upon all non-party members, shall be drafted once all senior members congregate in the toilet of the yak and yeti – hidden from the neo-aristocrats that live above (they don’t use the toilets, they have people who bring it to them).

- Moral Dada, the developer of maxims, Nepali Dada Party

A statement of respect to professionalism in Nepal

Friday, January 15th, 2010

The Nepali Dada Party is proud to represent a growing mass of working professionals in Nepal that are incompetent, illiterate and basically retarded.

Let me offer a description – the Nepali professional is a breed that will work for money, but will be equally comfortable not working for the money. It is not be trusted, but will always have a good heart. It will not know how to use MS Excel but will be pro-efficient in assuming it does.It will value power-cuts as moments of orange filled Sunday afternoons. It will work for green papers, white leather and tubeless tires around its waist. It will leave the country and talk excessively about it. It will do nothing while believing it is doing everything. It will believe in god, fate and palmistry. It will enjoy steaks and lose interest in its own stakes. It will never, ever, deliver anything on time. It will value time to watch tv. It will fume about the professionalism of cable companies. And last but not least, it will be a democratic thing.

Without such a workforce at its disposal the party would never be able to dysfunction. It is within this grand behemoth of inefficiency and thoughtlessness that a true revolution can be instigated. The fundamentals of our revolution is not efficiency and productivity, it is the perception of professionalism. This alone will lead to alienation and a lack of hope, within all professionals, setting the right foundations for a rise in feelings of injustice and discrimination. These two are the seeds of the new revolution.

Unfortunately, till date our revolution remains inefficient and thoughtless… but very, very professional.

- Mynagar Dada, Senior VP of the Nepali Dada Party

US Intelligence Policy and India’s Political Culture

Wednesday, December 2nd, 2009

I’ve been reading two very interesting documents that provide an insight into the worldview of the American intelligence community – the CIA’s Strategic Intent (2007) and the National Intelligence Strategy of the United States (2009) that is published by the Directorate of National Intelligence. The latter, charged with coordinating the vast intelligence apparatus of the United States and its myriad heads, agencies and organisations is now run by Admiral Dennis Blair – whom I remember making some eminently sensible appraisals of Asian security at an international forum.

It does seem that India’s security establishment and the Research & Analysis Wing (RAW) in particular could do with some of the clear-thinking that is presumed upon the authorship of a document of this kind. As I’ve pointed out in an earlier post, Indians tend to find the very notion of strategy esoteric and treat its mention with incomprehension. More importantly, it is the lack of an open hiring process that stymies the recruitment of young talent into the intelligence services. I was pleasantly surprised then, when I found positions in the Intelligence Bureau (IB) cheerfully advertised on the Ministry of Home Affairs website. Perhaps then, those shuffling bureaucrats in charge of gathering intelligence on external threats to India’s national interests could take a leaf out of their sister organisation. I can imagine their skepticism however, India’s political culture is uniquely apolitical – fostering the secession of the successful from the political and the public sphere rather than an active engagement. The lumpenisation of national politics, which recieved its most consummate expression in the Samajwadi Party’s luddite manifesto of 2009 has made its way to the college campuses with candidates of a distinctly criminal disposition dominating. The young patriotic bourgeoisie that is meant to form the happy hunting ground of intelligence organisations is too alienated and too busy pursuing the capitalist dream at Amity Business School. The ones who do have public-service on their conscience are involved in waging war against the Indian State – be it through the media or the NGO andolans that proliferate in New Delhi and elsewhere. Arundhati Roy has inspired a generation of young Indians. Perhaps it is best to continue the practice of recruiting directly from the Indian Police Service, at least a modicum of nationalist value-consensus is ensured.

A return to American intelligence priorities then, is called for if this is post is to save itself from degenerating into a rant. There is a distinct change of tone between the CIA document and Admiral Blair’s DNI document. The former, which was authored in 2007 reflects the prevailing intellectual currents of its time – the rise of India and China thesis. The CIA itself argues that “the rise of China and India and the emergence of new economic “centers” will transform the geopolitical and economic landscape.” In the mid to late 2000’s security policy discourse turned towards a theme that its still pursuing, the rise of Asia thesis. The argument runs that the West as symbolised first by Imperial Europe and later by the United States was loosing its preeminence in global politics and the locus of power both economic and political was shifting to Asia. This was the end of the Vasco de Gama era. India and China – nations with similar population sizes and GDP growth rates were held up as the examples that proved the theory. The Republican dehyphenation of India and Pakistan, India’s inclusion into strategic Asia and the nuclear deal helped matters along.

Dennis Blair’s Intelligence Strategy however is very different. India does not find a single mention in the United State’s strategic priorities. Iran, North Korea, China and Russia make it to the list of top state-level concerns. There isn’t any mention of Pakistan either. Funny, I remember them fighting a war somewhere near there.

More significantly, there is a plausible shift in the language deployed by author(s) of the DNI document. The “Vision” of the US Intelligence Community is one where the practice of intelligence “must be consistent with America’s expectations for protection of privacy and civil liberties and respectful of human rights.” This is all well and good but when did civil liberties become the preserve of the CIA and the intelligence community? Surely, it is the job of the State Department to conduct public relations? The inclusion of this text hints at a shift in priorities. American liberals – hurt by the string of international condemnation that accompanied George Bush’s foreign adventures – are using their time in office to restore, as they see it, America’s moral authority. In the process, they forget the real function of strategic policy – the preservation of American hegemony. Ashok Malik is correct in his assessment of Washington 2009 – “The Democrat leadership is intelligent, even cerebral, and often well-intentioned. It is, however, largely representative of the liberal-extreme Left end of the American political spectrum. At its worst, it resembles a coalition of NGO interests and is lacking in what may be called the ‘hard stuff’. The sense of realpolitik, the cold-blooded execution of military and coercive power, the big-picture strategic thinking: There is an absence of these qualities at the Democrat high table.”

This paradigm shift however, is not sufficient in explaining India’s downfall. The attacks on Bombay in the November of 2008 shattered the myth of India as a potential great power. The wind was taken out of India’s geopolitical sails. India is back where it belongs, with Pakistan.

- Vijay Vikram