Over the top

An Allegory for Niyamgiri and the Dongria Kondh.

Green Ants is a movie that can be interpreted at various levels- it can be constructed as a classic tale of the human and environmental costs of human greed, as a study of the encroaching tides of western rationality upon profoundly different ways of thought or as an indictment of a civilisation that respects no other. At its heart is a question: can you really consider yourself civilised if you cannot understand another person’s perspective, or at the very least respect it?

The story of green ants is a tale about corporate profit clashing with aboriginal beliefs. It is, in some ways, the story of advancing capitalism. Capitalism has always laid waste what came before it- whether it was the “red” Indian or the brown one, the yellow man or the black one. The white man, they say, was blind to his own history and imported his blindness to the colonies. This was done by subordinating, undermining and dividing cultures with the ruthlessness only the religion of profiteering can muster. How can it be otherwise? If all is fair where money is to be made, how easy it must be to poison societies where wealth is respected but not worshipped. Historically, imperial ambitions have always mixed well with religious fervour: the only difference in the modern world is that money is the new false god.

In Herzog’s movie, a mining company wants to excavate the holy ground of a group of Australian aborigines: they believe that the land that is to be mined is where the green ants, upon whom existence depends, dream; and upon that dream rests reality. On the face of it, it is irrational and absurd, but really is it any more absurd that ordering existence for the benefit of the unqualified zeal for profit? Than unrestrainedly exploiting resources, when the finiteness of them is beyond question? The “American dream” is today what constructs reality- and it is no more tangible (and some would argue possible) than the green ants’ dream. This film, to some extent, exposes it for the myth it is by deconstructing other myths that have sustained other cultures in their fight for survival.

The sharpest voice protesting capitalism today says that it steals from the poor to reward the rich. The latest recession, for instance, will hit aid to dependant Africa and the sundry poor of the world worse than anyone else, because they are the most expendable. It was caused because of the recklessness of big business and banks; yet they received a trillion dollars in stimulus packages. This is a story about how stealing from the poor, the unrepresented, the helpless, is the easiest and quickest crime in history and one that has always borne rich dividends. It is made easy by dismissing their qualms and their claims as irrational, backward, irrelevant and placing them against “real” truths, like the fact that the world needs to mine constantly to support a wasteful and extravagant system. It is made easy by the fact that the privileged of the world- economically, culturally, socially privileged- are so few and yet so powerful, and the only ones that have the resources to be able to stick together. And the fact that they disguise their minority so effectively by forcing the majority to fight between themselves for scraps. In fights for survival, metaphysical questions about the “system” and its validity are a luxury. It is only when one’s basic beliefs about existence are questioned that one begins to consider actually fighting, and by then it is often too late.